Georgie Taylor
Background image description: Doomsday (2019), directed Nick Bagnall and movement direction by Georgie. The movement chorus, playing souls in Hell, reach longingly to touch the actor playing the Devil, flanked by two actors playing his minions. Photography: Andrew AB Photography, December 2019.
Acting Credits
I am an intuitive, curious, and creative performer. I particularly enjoy non-naturalistic work in clowning, puppetry, and ensemble work, amongst an array of other styles. Having experience in professional musical theatre touring through to devised fringe work has enabled me to be an adaptable and disciplined actor who is able to work diligently under direction, as well as trust and investigate my own instincts.
Stella
(currently rehearsing, March 2023)
The Moth (directed by Nathalie Bazan, Lying Lips Theatre Company)
Old Joint Stock Theatre, Birmingham.
Flower Maiden
(currently rehearsing, April 2023)
A Book of Portraits (directed by Alexander Kaniewski)
Hatton, Warwickshire.
Old Major/Mollie/Muriel
(April-July 2022)
Animal Farm (directed by Elizabeth Hann, Sprinkle Theatre Company)
Hope Street Theatre, Liverpool. Buxton Fringe, Buxton.
Butch
(July 2021)
The Masked Femme (self-directed, Rickety Fidgets)
Unity Theatre, Liverpool.
Performer
(February 2021)
Translucent (self-directed, Rocket and Rabbit Theatre)
Online, Instagram and Live Performances.
Messalina
(November 2020)
Letters to Messalina (directed by James Korczynski)
Online, YouTube.
Performer
(June 2020)
Moonhead (self-directed, Rickety Fidgets)
Online, Live Performances.
Jesus/ensemble
(December 2019)
Doomsday (directed by Nick Bagnall)
George Harrison Auditorium, Liverpool.
Orlando
(February 2019)
Orlando (directed by Phoebe Segal)
Corpus Playroom, Cambridge.
Performer
(November 2018)
Marlowe Showcase (directed by Nicholas Barter)
Jermyn Street Theatre, London. Judith E. Wilson Studio, Cambridge.
Performer
(August 2018)
Reigen (directed by Ada Gunther)
Edinburgh Fringe.
Margaret/Verges
(December 2017)
Much Ado About Nothing (directed by Geraint Owen)
Various venues across Europe.
Performer
(November 2016)
The Vagina Monologues (directed by Eva O'Flynn)
ADC Theatre, Cambridge.
Delio
(November 2016)
Duchess of Malfi (directed by Anastasia Bruce-Jones)
ADC Theatre, Cambridge.
Theatre Experience
As a theatre-maker I have a particular focus on access within the arts. My work within the theatre companies I have co-founded – Rickety Fidgets, Rocket and Rabbit, and Relaxed Theatre Company – has led me to develop a format of inclusion tailored particularly to Disabled and queer performers and practitioners, inspired by the Disability Liberation Movement and built from personal experience and a commitment to constant improvement through work with others. In my access co-ordination and consultancy work, I work with individuals and teams to identify access requirements and implement creative, exciting and necessary change.
A Common Problem (Schools Out/Class Divided)
Access co-ordinator
(ongoing)
London
Animal Farm (Sprinkle Theatre Company)
Movement director (including fight and intimacy)
(April-July 2022)
various dates and locations
The Masked Femme (Rickety Fidgets)
Director and movement director
(July 2021)
Unity Theatre Liverpool
discussing queer poverty and rural life for Churches Action on Poverty
Panellist
(March 2021)
online
Translucent (Rocket and Rabbit Theatre)
Producer and access consultant
(January – April 2021)
online
Moonhead (Rickety Fidgets)
Producer, co-director and access consultant
(June 2020)
virtual performances
Doomsday (Nick Bagnall)
Movement director (including intimacy)
(December 2019)
George Harrison Auditorium LIPA
Disability Open Mic Night (Will Hale)
Producer
(November 2018)
CUSU Lounge Cambridge
Richard III (Aaron Kilercioglu)
Disability advisor
(October 2018)
ADC Theatre Cambridge
Number, Please. (Paprichoo)
Accessibility consultant
(August 2018)
Edinburgh Festival Fringe
How to Disappear Completely and Never Be Found (Relaxed Theatre Company)
Director, accessibility co-ordinator and producer
(February 2018)
Fitzpatrick Hall Cambridge
Any Little Thing (Relaxed Theatre Company)
Director, accessibility co-ordinator and producer
(January 2018)
Fitzpatrick Hall Cambridge
Sögur (Relaxed Theatre Company)
Director, accessibility co-ordinator and producer
(February 2017)
ADC Theatre Cambridge
